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Read Whistling Dixie: Dispatches from the South by John Shelton Reed, a prominent Southern scholar


Former Hotel Holds Historical Significance in American Music
(By Stacy Jones, October 1, 2005)
     The old building stands deserted now, a hulking, dilapidated reminder of what was once.
     Very few hotels have played such a large part in the history of American music, but from this building the public heard the King of Rock-and-Roll make his radio debut.
     Furthermore, an eager audience tuned into the weekly antics of a fast-talking, free-wheeling disc jockey known as Dewey Phillips.
     Inside the Chisca Hotel, located at the corner of Main and Linden Streets in downtown Memphis, Phillips manned the "Red, Hot, and Blue" show for local radio station WHBQ six nights a week between 9:00 pm until midnight from 1949-1956. Broadcasting with only 1000 watts of power and his raucous, unsanitized manner, Phillips was greatly admired by listeners, who knew him affectionately as "Daddy-O-Dewey."
     The ever-eclectic Phillips, born in Crump, Tennessee, in 1926, left nearby Adamsville to come to Memphis in 1942. On some accounts, he already exhibited the traits-the rebellious non-conformity-that would later mark his radio broadcasts. According to MemphisGuide.com, he purportedly lost his job at the Continental Bakery for coaxing other workers to make gingerbread men instead of loaves of bread.
     Fortunate for the history of rock-and-roll, Phillips then obtained a job as a clerk, spinning records at W.T. Grant's near the WHBQ headquarters in the Gayoso Hotel. The program later moved to the Chisca. WHBQ's announcer Gorden Lawhead didn't know much about the music when the station decided to broadcast its new "Red, Hot, and Blue" program, so here came Dewey. Of course, he got the job.
     From the mezzanine of the hotel, Phillips spun a mix of white rock and country and black blues and R&B. The program was groundbreaking because it drew a biracial audience and influenced listeners as far away as Lubbock, Texas, where a young Buddy Holly purportedly tuned into the three-hour show.
     On July 7, 1954, only days after Sam Phillips (no relation to Dewey), owner of Sun Records, recorded teenage truck driver Elvis Presley singing a rhythm-country version of Arthur "Big Boy" Crudup's "That's All Right, Mama," Dewey Phillips aired a test pressing of the single on his show.
     Response was tremendous, as Phillips played the song several times in a row, allowing the fledgling Presley to become a household name. Presley himself appeared for an on-air interview with Phillips. Only two years later, Presley, of course, would become an internationally known singer, well on his way to his present-day cultural icon status.
     After WHBQ's "Red, Hot, and Blue" program was long defunct, and the Chisca had closed its doors for good, the Church of God in Christ (COGIC) acquired the property in 1971, purchased from the Snowden family for $10. However, upkeep on the building was eventually deemed too costly, and around 1997, COGIC moved its headquarters elsewhere in the city.
     Numerous rumors have circulated since then regarding the possible demolition of the building, which has gone largely unrecognized for its place in the history of America's musical development and race relations. Efforts have been made by Memphis Heritage, Inc., a local non-profit organization, to educate the public and preserve the historic property, which is how I learned about the building. In the summer of 2005, COGIC unveiled plans to sell the property to a developer of Hilton Hotels.
     According to the plans, Hilton will renovate the original part of the building, which includes the famed mezzanine that made musical history. They will likely demolish a 1960s addition on the back, which is fine by most people, considering the gaudiness of much of the architecture of that era and lack of consideration of architects for the original structures in their additions. The Chisca's add-on was no exception.
     Like the old Chisca, Phillips is no longer with us. After being squeezed out of the increasingly homogenized, commercial racket that radio was steadily becoming, Phillips wandered from job to job for the last ten years of his life. He also suffered intense pain from a car accident. In 1968, at the young age of 42, he died in his sleep.
     I was fortunate, however, to appreciate a few moments with this charismatic, dynamic, fascinating personality when I recently discovered a recording of his "Red, Hot, and Blue," program at the library. I also had the privilege of finding out by accident that a friend of my mother just happens to be his cousin. I look forward to the chance to sit down and let her indulge me with stories about this rich character.
     I do hope they leave the old part of the Chisca intact. And I hope they erect some sort of monument or put up a plaque for Dewey Phillips somewhere in the lobby or on the mezzanine. They don't make old hotels like the Chisca anymore, and, sadly, deejays like " Daddy-O-Dewey" are now just a thing of the past.
     (Stacy Jones, a Southerner, is a Master of Fine Arts student in fiction writing at The University of Memphis. She is a native of Guys, Tenn., and her columns, which appear on Saturdays, are archived at Southern-Drawl.com.)

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